I enjoy photographing moments where you can feel there is a particular kind of tension. It doesn’t really matter if I am on a street or in an asylum or bazaar. I have influenced both the relative quiet that the mathematics of chaos. I want to celebrate human by capturing their moments. I want to show the deep and indissoluble dichotomy between the eccentric and the ordinary. Photography and visual arts are always an interpretation of reality. In my photography, there is a lot of emphasis on interpretation, because I always believed in this continuous relationship between the external reality and what is my feeling when I work both as a photographer and as a visual artist. I started as and street photographer then I developed my ideas in travel photography and journalism. documentary photography was always the base of my view, a sort of criticizing reality. For the first 10 years of my artistic life, my camera narrated the human bodies and moments in the street, bazaar, asylum, and what we call society.
I enjoy photographing moments where you can feel there is a particular kind of tension. It doesn’t really matter if I am on a street or in an asylum or bazaar. I have influenced both the relative quiet that the mathematics of chaos. I want to celebrate human by capturing their moments. I want to show the deep and indissoluble dichotomy between the eccentric and the ordinary. Photography and visual arts are always an interpretation of reality. In my photography, there is a lot of emphasis on interpretation, because I always believed in this continuous relationship between the external reality and what is my feeling when I work both as a photographer and as a visual artist. I started as and street photographer then I developed my ideas in travel photography and journalism. documentary photography was always the base of my view, a sort of criticizing reality. For the first 10 years of my artistic life, my camera narrated the human bodies and moments in the street, bazaar, asylum, and what we call society.